8月26日GRE考前預(yù)測(cè)

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GRE閱讀

In analyzing the poetry of Mona Feather, we are confronted with three different yardsticks by which to measure her work. We could consider her poems as the product of a twentieth-century artist in the tradition of James Joyce, T.S. Eliot, and Wallace Stevens. However, to do so would be to ignore a facet that informs every word she writes and that stems from her identity as a woman. Yet, to characterize her solely as a woman poet is to deny her cultural heritage, for Mona Feather is also the first modern poet of stature who is also an American Indian.

Stanley Wilson has argued compellingly that the huge popularity Feather enjoys among the Indian reservation school population of the United States is creating a whole new generation of poetry enthusiasts in an age when the reading of poetry is on the wane. While this is undoubtedly true, Mr. Wilson's praise gives the impression that Feather's readership is limited to her own culture - an impression which hints that Mr. Wilson is himself measuring her by only one criterion. Radical feminist writers have long found in Feather's poetry a sense of self-pride which strikes a chord with their own more political philosophies. Her imagery, which always made use of the early Native American traditions in which the woman had an important role, was seen as the awakened sensibility of a kindred spirit.

Yet for all the “feminist” touches in her writing, it would be a disservice to consign Feather to the ranks of politicized writers, for her message is deeper than that. The despair that characterized twentieth-century modern poets is to be found in Mona Feather's work as well; she writes of the American Indians of the 1930s confined to ever-shrinking reservations and finds in that a metaphor for all of modern mankind trapped on a shrinking earth of limited resources.

1. The primary purpose of the passage is to

A. describe the work of Mona Feather

B. compare Feather with Joyce, Eliot, and Stevens

C. show Feather's roots in her Native American heritage

D. argue that Mona Feather's work can be looked at in several different ways

E. discuss the women's movement in America

2. The passage implies that the author believes Stanley Wilson's view of Feather is

A. a compelling and complete assessment of her work

B. focused too much on her status as a Native American poet

C. meant to disguise his opinion of Feather as a poet lacking in talent

D. critical of Native American children's literary judgment

E. based on all major themes and images in her poetry

3. The author mentions James Joyce, T.S. Eliot, and Wallace Stevens in order to

A. compare the political messages in Feather's work to those in the work of other authors

B. highlight the radical differences between male and female poets in the twentieth century

C. contrast Feather’s thematic choices with those of her contemporaries

D. enumerate a list of artists whose sensibilities made them Feather’s kindred spirits

E. describe a critical context in which Feather’s work can be analyzed

（備注：解析及答案見文章底部）

GRE填空

Many people remember a time when cutting-edge architects, who are these days treated like celebrities, had ___ relationship with the public: for much of the 1960s, big new buildings in cities were often cause for hostility, not celebration.
A. an antagonistic
B. an inimical
C. an autocratic
D. a symbiotic
E. an indifferent
F. an apathetic

While it is always clear that the author’s message is heartfelt, it is mostly buried by shortcomings of style, organization, and production, although the book does become more ___ toward the end.
A. sincere
B. intelligible
C. orthodox
D. readable
E. frank
F. voluble

In a field of egotists, Bloomfield is ______, often praising her competitors and punctuating her correspondence with self-deprecating remarks.
A. unassuming
B. complimentary
C. acerbic
D. ingenuous
E. cutting
F. modest

The historian argued that ___ are essential to science, claiming that these inherited and untested beliefs often form the conceptual framework necessary for further research.
A. hypotheses
B. mistakes
C. preconceptions
D. disagreements
E. controversies
F. prejudices

Fedigan argues that, in actuality, ethnologists who claim to ___ anthropomorphism often end up simply substituting one set of anthropomorphic terms for another.
A. eschew
B. defend
C. support
D. appreciate
E. denounce
F. avoid

GRE寫作機(jī)經(jīng)預(yù)測(cè)分為issue和argument:

Governments should focus on solving the immediate problems of today rather than on trying to solve the anticipated problems of the future.

Write a response in which you discuss the extent to which you agree or disagree with the statement and explain your reasoning for the position you take. In developing and supporting your position, you should consider ways in which the statement might or might not hold true and explain how these considerations shape your position.

GRE閱讀參考答案及解析：

1.參考答案：D文本從各個(gè)方面解讀Mona Feather的作品。
2. 參考答案：B
定位至第二段第一第二句。第一句介紹Mr. Wilson對(duì)Feather的評(píng)價(jià)，第二句作者指出Mr. Wilson評(píng)價(jià)的問(wèn)題：Feather’s readership is limited to her own culture. 選項(xiàng)B即表達(dá)了此意。
3. 參考答案：E
定位至第一段第二句，此句關(guān)鍵在于in the tradition of James Joyce, T.S. Eliot, and Wallace Stevens.介紹她作品產(chǎn)生的背景。

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